The use of more or less recent archival footage is consistently intelligent and intersects together well with the magistral score by composer Sergio Marchesini, with the direct sound recorded by sound engineer Alberto Cagol, and with the sound editing of Riccardo Spagnol. Their work immerses the viewer, with a polished audio landscape and some very evocative music, into this small microcosm of North-East Italy, and helps the film say a lot when words are not enough.
Full review here: https://cineuropa.org/en/newsdetail/377229/
