After a stop for COVID-related safety measures, the Data Fountain project is being discussed again with Electrolux. It involves data art and partecipatory processes inside a company facing fast changes in the production process.

After a stop for COVID-related safety measures, the Data Fountain project is being discussed again with Electrolux. It involves data art and partecipatory processes inside a company facing fast changes in the production process.

“Tre Storie. La memoria tra consapevolezza e oblio.” is a documentary about the Shoah in the Veneto region.
Directed by: Raffaella Rivi and Filippo Tognazzo
Editing: Raffaella Rivi
Music: Sergio Marchesini / New Landscapes
A D20ArtLab project involving data art and partecipative art.
Continue reading “Our new project for Electrolux”
A powerful tale by Wilhelm Hauff told by Stefano Scandaletti, rewritten and directed by Monica Codena. Music by me and a certain Erik Satie. Info here.

I finally have a showreel. Putting it together brought memories of a lot of emotions, friends, artists of all kinds I worked with in the last ten years. Lots of trial and error and long discussions, learning so much in the process I am grateful for all of that.
Ah yes the video, is here: https://sergiomarchesini.it/film-soundtracks/

D20 ArtLab project for Electrolux, funded by SMATH and facilitated by Ca’Foscari University’ Management Department has made the news.
After releasing our Sound Lines video, we are now starting a new project for the company, based on Data Art and Partecipatory Design. More on that soon…
Lux Mundi, the sound/light sculpture I co-developed with D20 ArtLab and Stylnove is shipping to Taiwan! So proud.

HBO Europe is premiering its first series in december, and there will be three music pieces we have recorded some time ago with my former band Bottega Baltazar.
The series is called Foodie Love and is directed by Isabel Coixet and produced by Miss Wasabi Films.

Our work for Electrolux is finally online.
Commissioned by Electrolux to celebrate its 100th anniversary it features a soundtrack composed using samples from the assembly line and a live musician.
See it here.

A new record published by Squilibri and Club Tenco pays tribute to Gianni Siviero, a songwriter that between 1972 and 1976 worked with the likes of Nicola Piovani and Dario Fo.
Different italian artists from different generations cover one song each, and I arranged Erica Boschiero version of “La Nuvola”